Sony “Cinealta” Top of the range PDW-F350 XDCAM HD with HD lens, shoots true 1080p progressive and 1080i. Rated for 100% HD acquisition by the Discovery channel HD and the BBC. Also shoots SD DVCam (same as DSR, but with guaranteed NO tape dropouts!). Down-conversion to DVCam tape included in price if required. Also shoots over-cranking/ under-cranking like a film camera from 4fps to 50/60fps
One Sony “Cinealta” XDCAM HD EX3 and one EX1. Solid state hight definition camera that has even higher specs than the above camera but in a very small body. . Shoots full 1080p!
Two Letus Ultimate 35mm adaptor, the best currently on the market, also 2 Letus Extreme 35mm adaptors and one Letus Elite. Using these adaptors gives you incredible images out of the EX cameras.
The astonishing Canon 5dmk2 Video/Stills camera that shoots amazing video in low light. Please check out Sofia’s People.
Sony DSR-450. Top of the range SD DVCAM professional camcorder with 20x zoom lens and wide angle lens. Also shoots progressive.
Fisheye and wide angle Century adaptors.
Canon 5dMk2 full HD DSLR, shoots incredible video in low light.
Complete, incredibly flexible HDV kit comprising Sony HVR-Z1e (switchable PAL/ NTSC) and HVR-A1e, with wide angle, super macro and fish eye adaptors for both.
Both cameras are capable of filming in full 1080i or standard definition DVCAM.
Reflecmedia Chromakey kit. Portable chromakey studio for both blue or green keys.
“Wally Dolly” dolly & track including hi hat for low tracking shots.
“Axis Dolly”, for perfect Radial moves, with Micro Dolly for table top shots. Similar to “Skater mini” but more flexible.
Full lighting kit, including dedos with projector gobos and 2 Rifa soft lights. 2 Kino Diva 400s. 2 Kino Select 4s. Also Liteplanel mini.
Other extras including sound gear, matte box with large selection of 4×4 filters including grads, pro mist and enhancers. Marshall monitors.
Marshall Hi Res field monitor. Wireless Director’s monitor.
HD editing kit, portable and desktop, comprising Final Cut Studio 2 and Avid Media Composer, both capable of editing full HD footage.
Mac Pro quad 3ghz with twin superdrive and 30″ and 23″ Hd displays.
Including colour grading and de-interlacing applications such as Magic Bullet, 3prong and Nattress.
RATES
Please call for latest rates. All prices negotiable for what kit is required. Rates are all for wet hire. No dry hire available.
June 11, 2009 at 16:02
Hi Philip,
Do you know is there a cache recording feature on the EX3?
Thanks,
Jonathan.
May 17, 2009 at 04:15
What is the tripod you most use?
May 17, 2009 at 04:19
for lightweight travel for miller solo ds20 for heavy duty work the vinten vision 11 with fibertec legs
November 19, 2008 at 16:15
[...] Potete anche apprezzarlo dalla sua pagina Vimeo, per contattarlo scrivergli a philip@philipbloom.co.uk e per sapere l’attrezzatura che usa leggere qui. [...]
October 21, 2008 at 14:42
hi, i’ve been looking over your site and have seemingly failed utterly to find a way of contacting you about rates and hire, so i think this might be the right place.
basically, i’m based in the UK and looking to shoot a feature film in early 09, i’m looking for a DOP and your stuff is probably the best i’ve seen in about 2 years, so would like to see if you would be willing to look over the project. it seems youre pretty busy, but i thought i would hedge my bets at the very least. couldnt find a phone number on the site either, so would it be ok for you to fling an email my way?
thanks
sean @ catsbyfilms
Hi Sean, my email and phone is on front page below news section.
October 16, 2008 at 21:12
Hi Philip,
Got your details from David Dunkley-Gyimah, and saw the video of you talking about the sony camera on his viewmagazine website, also watched the reel you shot, and was blown away.
I really want to get my head around this HD stuff and of course that means the cameras, I am possibly speending too much by shooting on super 16mm. below is a link to my latest project that we started shooting on 16mm
http://uk.youtube.com/watch?v=lLw6FLdSEaw
I am going to LA and want to shoot a section of the story out there and the thought of getting a DP and a S16mm kit and crew is daunting. Of course if I have something lighter I can move around with a small crew or just a DP and get more images, what do you suggest? As this section is in LA, a different look might be good, and obviously I can do something in the grade. However, do let me know the costs of hiring the KIT in the UK, because your work and images have inspired me. LOVELY STUFF!
Hi Q, sorry not sure kit hire costs. Would you not hire in LA?
September 20, 2008 at 20:38
Hi Philip – I have an interest in some private tutoring. I have zero background in video/photo. I owned my own printing business for 10 years, which I just recently sold. I am reinvesting some of the proceeds of this into learning video as something to do just for myself.
My kit currently consists of an EX-1, Letus Ultimate & Rods, various lenses, etc.. and I am continually adding to it with lights, sound, etc…
I edit on a Mac Pro 8 core in the office, and a MBP in the field, using FCP.
I understand you are coming to the St. Louis, Mo area for a feature length assignment. I live 200 miles from St Louis, and wondered if maybe we could schedule something for before the shoot? It is possible we could generate some interest from others as well.
I would appreciate a reply, if you have any interest, detailing costs, length of time, a list of additional equipment you think I should acquire.
You can reach me at printzilla@gmail.com
Thanks – Marc